{"product_id":"bohlp2019","title":"a lazarus soul - No Flowers Grow In Cement Gardens [Limited Edition LP]","description":"\u003cp style=\"text-align:start;white-space:pre-wrap;\" class=\"\"\u003eLimited blue splatter vinyl exclusive to first run.\u003c\/p\u003e\u003cp style=\"text-align:start;white-space:pre-wrap;\" class=\"\"\u003eTRACKLIST\u003c\/p\u003e\u003col data-rte-list=\"default\"\u003eBlack Maria, The Flower I Flung Into Her Grave, The Dealers, G.I.M, New Jewels, Wildflowers, Diver Walsh, Glass Swans, Factory Fada, No Flowers, \u003c\/ol\u003e\u003cp style=\"text-align:start;white-space:pre-wrap;\" class=\"\"\u003eOn July 5th, 2024 Bohemia Records release,  \u003cem\u003e“No Flowers Grow in Cement Gardens,”\u003c\/em\u003e the long-awaited new album from  a lazarus soul. It will be preceded on April 5th by the first single from the album,  \u003cem\u003e“The Flower I Flung Into her Grave.”\u003c\/em\u003e\u003c\/p\u003e\u003cp style=\"text-align:start;white-space:pre-wrap;\" class=\"\"\u003eThe album is the follow-up to 2019’s much-loved \u003cem\u003e“The D They Put Between the R and L,”\u003c\/em\u003e\u003c\/p\u003e\u003cp style=\"text-align:start;white-space:pre-wrap;\" class=\"\"\u003eAfter a long gestation period, the band  (Brian Brannigan, Anton Hegarty, Julie Bienvenu and Joe Chester, half of whom live in Ireland, half in France) convened in Miracle Studios, Rennes, for four days of intensive recording, live, together in a single room, their first opportunity to do so since global events had kept them apart for two years. The session, a fury of largely improvised and incendiary versions of ten brand new Brannigan-penned songs, forms the basis of this new record which also features guest contributions from legendary violinist,  Steve Wickham.\u003c\/p\u003e\u003cp style=\"text-align:start;white-space:pre-wrap;\" class=\"\"\u003eThe album was recorded and mixed in France by Joe Chester.\u003c\/p\u003e\u003cp style=\"text-align:start;white-space:pre-wrap;\" class=\"\"\u003e \u003cem\u003e“No Flowers Grow in Cement Gardens,” \u003c\/em\u003e(named after a line from The Fall’s “\u003cem\u003ePsykick Dancehall\u003c\/em\u003e,” aptly,\u003cem\u003e \u003c\/em\u003eas this line-up of  a lazarus soul came together specifically for a 2011 tribute to that band) is a meditation on wilderness, nature and spirit.\u003c\/p\u003e\u003cp style=\"text-align:start;white-space:pre-wrap;\" class=\"\"\u003eBrannigan’s lyrics, written during long walks across the Bog of Allen and along the Royal canal, have never been more masterful, reaching new heights of visceral, unflinching song-writing. Brannigan is at the peak of his powers here, capable of turning from eviscerating fury to unexpected moments of tenderness and heartbreak in a single couplet. Songs of police brutality (\u003cem\u003eBlack Maria\u003c\/em\u003e) sit side by side with loving portraits of Moore Street dealers (\u003cem\u003eThe Dealers\u003c\/em\u003e) and thrilling blow-by-blow accounts of three-day benders, worthy of Flann O’Brien (\u003cem\u003eWildflowers\u003c\/em\u003e). There is humanity at the heart of all of these songs, even the vicious teacher, meeting out physical abuse on his pupils finds some kind of understanding in \u003cem\u003eFactory Fada\u003c\/em\u003e.\u003c\/p\u003e\u003cp style=\"text-align:start;white-space:pre-wrap;\" class=\"\"\u003eMusically,  \u003cem\u003e“No Flowers Grow in Cement Gardens,”\u003c\/em\u003e is the sound of a band on fire, unleashed after a long period of separation. It is the sound of a band relishing being together once more. Importantly, for a record about wildness, it is a fiercely honest record, made in an old-fashioned way with as little technological interference as possible. Like many of their favourite records, you can hear the mistakes. The approach pays off, especially on \u003cem\u003eGIM\u003c\/em\u003e, which blossomed from first hearing to the recorded version in just two hours. From the thrilling garage drums and bass of opener, \u003cem\u003eBlack Maria\u003c\/em\u003e, to the sparkling electric guitar lines of \u003cem\u003eThe Flower I Flung Into Her Grave\u003c\/em\u003e, The Dealers’ acoustic guitars and strings, the wild harmonium and bowed guitars of Wildflowers, to the dreamy \u003cem\u003eDiver Walsh\u003c\/em\u003e and the Sonic Youth-meets-Richard Thompson \u003cem\u003eFactory Fada,\u003c\/em\u003e this is surely the band’s most musically ambitious record to date.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":56872046297475,"sku":"BOHLP2019","price":26.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/1186\/9315\/files\/ALazarusSoul-NoFlowersGrow-LPMockUp-Square.png?v=1771211634","url":"https:\/\/celticnote.myshopify.com\/products\/bohlp2019","provider":"Celtic Note","version":"1.0","type":"link"}